Example of Offering and Endowing
This is a very good example of using offering and endowing.
For the first 3 minutes there are lots of offers about who they are and what they’re doing. Note how they offer who they are, what they are doing, where they are, and what the conflict is.
At about 3 minutes there starts being lots of endowments. Mostly about horses.
Then from about 5 minutes on they begin offering and endowing about the new character in the scene, and accompanying details about the first few characters.
At about 13 minutes it starts going off the deep end, but they succeed at bringing it back to the first few details they added. This gets them another 4 minutes of humorous dialogue.
At 18 minutes they introduce the kinetiscope and run more with that.
At 21 minutes they add more detail to the character traits introduced in the 5-13 minute range. This is what allows them to resolve the central conflict that drives the scene.
Note that because they never use a lot of status related acting, achieving a resolution at the end of the story requires the introduction of new details. The conflict that is, at it’s heart, interpersonal in nature, cannot be resolved in a satisfactory way by one character becoming less important.
Example of Status
Note how this group aims to tell a long term story with slightly more serious characters than the previous example. They still make many, many jokes. They end up using status quite frequently, because they don’t want to resolve conflicts using silly methods. They want the story to make sense. The third scene (15 minutes and 50 seconds into the video) is an excellent example: they never say the guy on the left is the girls boss until well into the scene, but it is obvious. Watch how they end the scene with a status change: the woman assumes high status, the boss assumes low status. It feels very satisfying, and like she is going to get what she wants. This is actually just a set up for a joke of the “bait and switch” variety, but note how they use the status change to set up the “bait.” The fifth scene is quite good for status also (28 minutes). They actually use status so regularly that it’s kind of silly to emphasize each scene that uses it.